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<p>Ipod och minidisc-musikern Günter Müller är aktuell med en dubbel cd med spelningar från Buenos Aires. En ojämn skiva som blir bättre ju sämre anläggning den spelas på.</p> </div>
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<p><strong>Günter Müller tillhör den alltjämt växande</strong> skaran av slagverkare inom improvisations- och konstmusikvärlden som helt och hållet lämnat det konventionella slagverket bakom sig. Kanske var han till och med den första att göra detta resolut, om man nu bortser från Max Neuhaus. Det är en delikat fråga om Müllers musik fortfarande över huvud taget går att relatera till slagverk. För fem år sedan kom en skiva på Creative Sources tillsammans med Jason Kahn och Christian Wolfarth under den förhoppningsfulla titeln <em>Drumming</em>. Det är snarare elektronik för hela slanten.</p><div class="field field-type-link field-field-rec-links">
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<p><strong>Günter Müller tillhör den alltjämt växande</strong> skaran av slagverkare inom improvisations- och konstmusikvärlden som helt och hållet lämnat det konventionella slagverket bakom sig. Kanske var han till och med den första att göra detta resolut, om man nu bortser från Max Neuhaus. Det är en delikat fråga om Müllers musik fortfarande över huvud taget går att relatera till slagverk. För fem år sedan kom en skiva på Creative Sources tillsammans med Jason Kahn och Christian Wolfarth under den förhoppningsfulla titeln <em>Drumming</em>. Det är snarare elektronik för hela slanten.</p><div class="field field-type-link field-field-rec-links">
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<div class="skivnummer">Monotype mono 025</div>
<div class="forfattare"><em>Av: Johan Redin</em></div>
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