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<p>New York-artisten Marina Rosenfeld vidgar turntablekonsten på nya Plastic Materials. Med sina hemgjorda ”dub plates”, en kör med tonåringar och piano gör hon magnifik musik.</p> </div>
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<p><strong>Originellt och med en märkligt nyfiken suggestion</strong> gör New York-artisten storverk på nya skivan <em>Plastic Materials</em>. Hon skruvar till minimalismen, gör nytt av ”gammalt” och framför en musik som förhoppningsvis får den stora uppmärksamhet den förtjänar. Med sin musik framförd på Tate Modern i London och vid två tillfällen vid Whitneybiennalen i New York är Marina Rosenfeld i och för sig långt ifrån okänd, men hennes sätt att arbeta med turntables (skivspelare) gör henne till en minst lika intressant artist som en Philip Jeck, en Dieb13 eller en Dj Olive.</p><div class="field field-type-link field-field-rec-links">
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<div class="artist"><a href="/recension/marina-rosenfeld-plastic-materials">Marina Rosenfeld</a></div>
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<div class="skivnummer">Room40 RM430</div>
<div class="forfattare"><em>Av: Magnus Nygren</em></div>
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<p><strong>Originellt och med en märkligt nyfiken suggestion</strong> gör New York-artisten storverk på nya skivan <em>Plastic Materials</em>. Hon skruvar till minimalismen, gör nytt av ”gammalt” och framför en musik som förhoppningsvis får den stora uppmärksamhet den förtjänar. Med sin musik framförd på Tate Modern i London och vid två tillfällen vid Whitneybiennalen i New York är Marina Rosenfeld i och för sig långt ifrån okänd, men hennes sätt att arbeta med turntables (skivspelare) gör henne till en minst lika intressant artist som en Philip Jeck, en Dieb13 eller en Dj Olive.</p><div class="field field-type-link field-field-rec-links">
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<a href="http://www.room40.org/" target="_blank">http://www.room40.org/</a> </div>
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